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I've seen alot of dramas acted by both leads and always ended up enjoying their works so seeing them together in this new drama was a nice surprise for me. There isn't much business problems or family issues as I mentioned above as it's a drama focused on the relationship of the boss and the girl.Īcting/Cast I'll be honest a part of the reason why I started this is because of the main leads. The nice thing about this drama is that you would love not only the mains but also the side characters of the drama as they bring alot of joy along with the mains. Being a romantic comedy of course there has to be a love triangle and thus there's the appearance of the 2nd female lead who you would hate but in the end grow to like. The story was the typical rich handsome boss and normal/poor girl story, despite it being quite cliche it still had its own cheerful vibe to it which made it seem more unique and special. However I must say I didn't read the books beforehand so I don't know how it was in comparison to the originals. Being 33 episodes I reckon it was a suitable length without any draggy parts and I thoroughly enjoyed the cute moments that was offered. Unfortunately, despite the comedy being shortlisted for International Feature Film at the 94th Academy Awards, Fernando León de Aranoa didn’t have much luck with his campaign, telling Variety, “Visibility is very much dependent on budget.”įronted by the exceptional Bardem, The Good Boss entertains and enrages, achieving an organic balance without tipping the scales.Rewatch Value 9.0 I would like to begin with the fact that I really enjoyed this drama, it was one of those truly light-hearted romantic comedies. Among the 20 nominations are best picture, director, original screenplay, lead actor, original score and editing – all of which it won. The Good Boss received the most Spanish Academy Goya nominations in history. Satisfyingly done though it may be, it’s up to us to decide whether we are content with the results of Blanco’s meddling. Michael Bublé’s Feeling Good, played in the third act, is one of the most well-fitting, albeit slightly outlandish, songs to neatly wrap up a bunch of tangled storylines. The mischievous and playful music encourages us to see the comedy in Blanco’s circumstances. Yet, despite the film’s commentary on capitalist greed and workers’ rights, the film’s light tone is enough to assuage our guilt for finding humour in the dark. Stakes are high and the spotlight illuminating the blank space in Blanco’s trophy display serves as a reminder of the looming committee inspection. Seething and shaking with rage, Bardem invites sympathy, but receives very little, because by now we have come to recognise his misaligned values. When all seems to be falling apart, despite a determination to maintain his iron grip on everyone, Blanco threatens to boil over. His performance, from exasperated expressions to passionate line deliveries, is magnetic – and accounts for 99 per cent of our laughs. Fernando Albizu, who plays a security guard with an appreciation for rhymes, adds to the light-heartedness of the thematically serious film –which deals with issues of sexism, racism, adultery and assault. Sly innuendoes and miscommunications at the most inconvenient times send ripples of amused gasps spreading through the audience, keeping us, like Blanco, on our toes.
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Hence why he feels he has the right to interfere with his employees’ lives. He lives by the flawed ideology that more scales means more justice, and if you work for him, you’re his property. But Blanco’s morals are as grey as his suit. Even a simple meeting with the esteemed businessman is likened to wanting to “talk to the Pope”. “Sometimes you have to tilt the scale to get the exact weight”įramed as a god constantly positioned above his workers with the camera rotating around him, we never second-guess Blanco’s power and influence visually. Nominated for an award of excellence and awaiting a visit from a committee, ambitious Blanco attempts to resolve any problems amongst his workers to ensure nothing interferes with securing his desired award. The irony is strong in The Good Boss ( El buen patrón), a Spanish workplace comedy about the corruption and misjustice in a – drumroll, please – scales manufacturing company.įrom critically-acclaimed writer and director Fernando León de Aranoa, the hilariously frustrating film is led by Javier Bardem ( Being The Ricardos) who plays Blanco, boss of the Blancos Básculas factory.
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